Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers.

Charles William Eliot

Reading gives us some place to go when we have to stay where we are.

Mason Cooley



The Creative Habit

Your mind, body and soul form the machine that creates your latest masterpiece. Find out ways to fine-tune the process and you’ll be fine-tuning everything that comes out.


Austin Kleon: Steal Like an Artist

(Workman, 2012)

It’s rare to find books which cram as much inspiration and wisdom as this one does into such a tiny package. Austin Kleon covers ten important principles that can help anyone lead a more creative life: among them ‘Steal like an Artist’, ‘Don’t wait until you know who you are before you get started’ and ‘Write the book you want to read’. Delivered in his unique style, with quotations, doodles and diagrams, Kleon’s book is that rare must-read you’ll be able to devour in an hour max.


Austin Kleon: Show Your Work!

(Workman, 2014)

The much-hyped follow up to Steal Like an Artist, in Show Your Work! Kleon talks about how to build a reputation as an artist and get people engaging with what you’ve created. It’s as smart, inspiring and concise as its predecessor, and is packed with ideas that can help Twenty-first-Century artists can take the next step and show the world what they’ve got.



Jessica Hagy: How to be Interesting (In 10 Simple Steps)

(Workman, 2013)

If you want to create interesting work, you have to be an interesting person. If you want to be an interesting person, you have to lead an interesting life. While Austin Kleon’s focus is the work you create and how you put it into the world, in How to be Interesting Jessica Hagy’s topic is ways you can live, be and act like an artist. Whether you want to be one or not. With inspiring ideas, mind-altering illustrations and more than a few jokes, she’ll help you ask yourself the questions that can help you lead a more fulfilling life.


George Lois: Damn Good Advice (For People With Talent!)

(Phaidon, 2012)

George Lois’s book is an ode to the power of art to provoke and the responsibility we have as artists to use our work to make the world a better place. His style is frank, his ideas are pithy and his approach is the perfect combination of tough love and encouragement. Though his background is in advertising, his ideas relate to all kinds of creativity and have the power to give your work more impact in our over-stimulated world.




Ed Catmull: Creativity, Inc.: Overcoming the Unseen Forces that Stand in the Way of True Inspiration

(Random House, 2014)

Ed Catmull is President of Pixar Animation and Disney Animation, two studios that probably don’t need an introduction. But if they did, those introductions would include the phrases ‘multiple blockbuster movies’ and ‘redefining what is possible time after time after mother-effing time’. Creativity, Inc. is about what goes on inside Pixar: how the studio they’ve built works to create their unique and ground-breaking movies. It’s a study of how the disparate worlds of creativity and business can collide and produce something uniquely successful. While songwriters don’t work in teams the size and complexity of movie studios, the lessons in collaboration, constructive feedback and embracing innovation contained in this book will be useful for anyone looking to unlock more of their creative potential.


Jonah Lehrer: Imagine: How Creativity Works

(Houghton Mifflin, 2012)

Imagine caused something of a scandal when it emerged that its author, then a journalist for magazines including WIRED and The New Yorker, fabricated some of the quotations attributed to Bob Dylan. If that doesn’t put you off, you’ll find a lot of wisdom in this book. Lehrer’s focus is how creativity relates to neuroscience, and in his exploration he reveals countless insights into how we can prime our brains to keep them at their most innovative. Because of the controversy, Lehrer’s publishers withdrew the book and it remains out of print. Maybe there’s something intriguing about the book being forbidden, but — fabrications or no — it’s a fascinating read and well worth consulting. That is, if you can get hold of a copy.


Anna Deavere Smith: Letters to a Young Artist

(Anchor, 2006)

The hardest thing about being an artist is how long it takes to find your feet. The second hardest thing is trusting that if you only persevere, you’ll get there soon enough. Letters to a Young Artist is about coping with the journey. While Deavere Smith can’t help you avoid the uncertainty and self-doubt all young artists face sooner or later, her writing is full of the exact sort of warmth, compassion and hope that’ll urge you to trust that somehow it’s all going to be OK. Along the way are the sort of tips, tricks and anecdotes that aren’t often put down in print, and exactly the sort that can help you become the person and artist you’re trying to be.


Seth Godin: The Purple Cow

(Portfolio, 2009)

Seth Godin, entrepreneur extraordinaire, offers a simple proposition: driving through the countryside, you might see brown cows, gray cows, off-white cows and not think much of it; catch a glimpse of a purple cow, however, and you’re not likely to forget it. The same applies to songwriting: if you’re producing work that’s tried-and-tested and unremarkable, you’re less likely to get people’s attention. Godin explores the philosophy of being remarkable, the importance of failing until you succeed and the many reasons that playing it safe is the riskiest possible thing you can do. His blue-sky, purple-cow thinking is valuable for anyone looking to leave their mark on the world.




Nicolas Slonimsky: Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time

(W. W. Norton, 2000)

It’s no secret that many of the works we now consider masterpieces weren’t received that way. Nicolas Slonimsky has done an admirable job compiling some of the most ‘biased, unfair, ill-tempered, and singularly unprophetic judgements’ ever directed at some now-legendary composers. It’s even possible to search the ‘Invecticon’ for particular uses of any given unkind phrase, if you are so inclined. His book is worth having on the shelf as an admirable reminder of one important principle: the existence of people who don’t understand you or your work isn’t a reason to stop creating it.


The Song Foundry The Only Piece of Songwriting Advice You Really Need Graphic

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